At the movies: Messiah of Evil.

 A stone classic, on 35mm, in a theatre.

The Outwaters and writer/director/star Robbie Banfitch.

 

I got to talk to Robbie Banfitch about his new film The Outwaters, which I find fucking awesome. Your mileage may vary, but this film is something special.

At the movies: I Am The Doorway.

I AM THE DOORWAY

Stephen King’s short stories have always been his finest achievement- timeless and unrestrained portraits of humanity in crisis that remain as unsettling and effective forty years down the road as when they were first published. There’s a power in those works that works on a level different from his rightfully acclaimed legacy of novels and their many adaptations across countless media. But anyone with memories of the cover of the mass-market paperback of Night Shift will remember its key image- a hand, covered in bandages and eyes. I Am The Doorway, which lent the collection that striking image, was Lovecraftian SciFi of the highest order, so rich in ideas and tableaux that no one attempted to take it into the realm of the visual. But now, from the Czech Republic, a filmmaker has pulled off the cinematic equivalent of alchemy, taking that story and telling it visually without dialogue and with a subjective camera. In fifteen minutes, Director Robin Kasparik delivers artful cosmic horror, creative mise-en-scene, and the finest Stephen King adaptation in years. Be ready for a bold new voice in horror and science fiction.